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Overview of all references of chants with fingerprint
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Hover over a book number for the full title of the book, click for additional information.
Click on a chant number (if blue) to hear the midi.

Composer Book Page No. Type Key Psalms/
Notes:
Bertalot, John 81 64 1‑b D A 147 (Gloria)
Note: Same as no. 1a, with last quarter descant by John Bertalot
Martin, George Clement 36 58 149 D A
Martin, George Clement 68 15 15 D A 37 (12-22; 29-39)
Martin, George Clement 81 64 1‑a D A Note: Original double chant by Martin, used by John Bertalot to form a Quadruple (no. 1c). Included in the index for completeness.
Martin, George Clement 8 61 343 D A♭ 129
Martin, George Clement 23 32 95 D A♭
Martin, George Clement 49 13 48 D A♭ Magnificat (Luke 1, 46-55)
Martin, George Clement 49 68 234 D A♭ 119 (137-144)
Martin, George Clement 52 44 41 D A♭ 32
Martin, George Clement 55 11 8 D A♭ Venite
Martin, George Clement 55 177 213 D A♭ 119 (145-152)
Martin, George Clement 77 106 590 D A♭ 119 (41-48; 49-56; Gloria)
Martin, George Clement 83 35 25‑1 D A♭ 25 (1-10)
Martin, George Clement 83 72 45‑2 D A♭ 45 (9-18; Gloria)
Martin, George Clement 83 204 119‑1 D A♭ 119 (1-8)
Martin, George Clement 83 246 139‑2 D A♭ 139 (6-18)
Bertalot, John 81 64 1‑c Q A 147 (All, except Gloria)
Note: Quadruple chant, based on a double chant by G.C. Martin (no.1a). The second part of the quadruple is an adaptation by John Bertalot of the original chant, with the original melody in the tenor. Vss. 11 and 20 sung to the last part.
Bertalot, John 81 7 1 Q A♭ 18 (1-19)
Note: Quadruple chant, based on a double chant by G.C. Martin. The second part of the quadruple is an adaptation by John Bertalot of the original chant, with the original melody moved to other parts.


Last updated/corrected 26-5-2017